The Daily Gamecock

Review: Laid-back storytelling of 'Daybreak' gives serious plot depth

Colin Ford, Austin Crute, Alyvia Alyn Lind in "Daybreak" on Netflix. (Ursula Coyote/Netflix/TNS)
Colin Ford, Austin Crute, Alyvia Alyn Lind in "Daybreak" on Netflix. (Ursula Coyote/Netflix/TNS)

Show: "Daybreak"

Release Date: October 24, 2019

Season(s): 1

Episodes: 10

Genre: Comedy

Rating: B

Warning: This review contains spoilers.

"Daybreak" follows a group of high school kids in the midst of an apocalypse. An explosion wiped out, presumably, the entire adult population and turned them into Ghoulies – zombie-esque creatures that feast off human flesh but appear less threatening because, as if broken records, they repeat the last thought they had prior to the explosion. The Ghoulies’ presence is mostly in the background; it seems as though the apocalypse is mostly based on high school itself.

The main characters, in retrospect, have about as much depth to them as the Ghoulies.

This was probably intentional, however. The show makes fun of itself continuously and is not meant to be taken seriously.

Josh (Colin Ford), who is referred to as “Just Josh” due to the presence of multiple Josh’s, can be described in those two words: Just Josh. Even though he is the main storyteller, his overall character is about as bland as unsalted Saltine crackers. His post-explosion purpose in life only revolves around finding Sam (Sophie Simnett), the most well-liked girl at his high school.

In hindsight, this does sound exactly like something a teenage boy would do.

Rather than joining a clan to survive the apocalypse with, he has devoted his energy, time and resources to looking for someone who could possibly be dead.

Spoiler: She’s not dead.

Shocking, right?

Just Josh’s redeeming feature comes in the form of the fourth wall, which he breaks down with his signature sword (which, of course, he named Sam). His interactions with the audience are an entertaining way to drive the story forward without having to go through the droning motions of serious storytelling.

One of the other main characters, Turbo (Cody Kearsley), also falls a little short in the personality department.

Turbo’s entire character arc essentially revolves around Wesley (Austin Crute), who is one of the members of Josh’s newly formed group. Turbo was a jock in his previous, pre-explosion life. In the midst of the apocalypse, he is, well, still a jock. A jock with an army. The only thing that adds to his character is his soft spot for Wesley. It would be different if Turbo had a change of heart throughout the season, but his loyalty only lies with Wesley, which stunts his progression as a character.

Even Eli (Gregory Kaysan), who was supposed to be a comic relieving nuisance, failed at being annoying.

The storytelling was far different from anything on Netflix and explores techniques unique to the characters themselves. The characters often break the fourth wall to talk directly to the audience. This makes it easier for the audience to get attached to the characters, even if they do fall a little flat.

Although the ending alluded to a second season, continuing the story would only unravel what the plot already accomplished. The open-ended questions could have easily been resolved with an extra five minutes added to the end of the finale.