Review: ‘Pet Sematary’ remake is underwhelming, disappointing
By Hannah Harper | April 7, 2019The classic horror film remake does not live up to expectations.
The classic horror film remake does not live up to expectations.
"The Squid and the Whale" shows the complicated dynamics and relationships of a family dealing with divorce.
Jack Antonoff, the lead singer of Bleachers, produces and performs songs that take you on an emotional rollercoaster, urging you to break out your dancing shoes.
The rap, pop and R&B fusion singer will bring hits like "Drew Barrymore" and "La La Land" to USC's campus.
This year's Indie Grits film festival featured a pop-up arcade, live music and late night parties.
Indie Grits Film Fest kicked off its 13th year with a series of films detailing life in the rural South and the struggles therein.
Trustus Theatre's production of "The Great Gatsby" shows that, like Jay Gatsby, Americans may still be living in the past.
Student organizations came together to celebrate Holi, the festival of colors.
Director William Starrett staged and choreographed his version of "The Sleeping Beauty" at Columbia City Ballet with a few unexpected twists to keep the classical ballet interesting.
Arts and culture writer Mateo Sanders takes a look at the controversial rapper's top five discography.
Jordan Peele continues his groundbreaking storytelling with his new horror film "Us."
In the mood for a throwback? Listen to some of the top hits that came out 10 years ago.
This week, guest columnist K. Lee Graham recommends the saga of an Indian family as they struggle to cope with sudden tragedy and a complicated relationship with their past.
As part of Indie Grits Labs' rural project, Cedric Umoja's art explores black narratives rooted in rural landscapes.
Kiki Cyrus, owner of Kiki's Chicken and Waffles, sat down with The Daily Gamecock to talk about her restaurant's journey as she prepares to open a new location in Harbison.
Things are about to get stranger in Hawkins, Indiana this summer — here is what to expect.
The problem is no longer about whether we can separate art from the artist. The question is should we?
